E314J: Literature and Computer Programming (Fall 2006)

C:Who Programs the Programmer?

hackers cartoon
Who gets to tell the story of the hacker? Who has programmed the programmer? There’s the hacker you see coming out of the courtroom in shackles. There’s the hacker that gets banned from the internet. There’s the hacker that almost accidentally starts WW III, a la Matthew Broderick in War Games. But none of these really get us to the real hacker. Steven Levy and others argue that today’s connotations of the word “hacker” efface the true meaning of the word. Written in 1986, Loyd Blankenship’s Hacker Manifesto describes the “true” hacker:

“Yes, I am a criminal. My crime is that of curiosity. My crime is that of judging people by what they say and think, not what they look like. My crime is that of outsmarting you, something that you will never forgive me for.”

hacker painting
We’ll address numerous questions in this class, including: Who gets to tell the story of the computer programmer, the problem solver, the coder? Has this story been told fairly? Has it been told completely? How could one tell some counter-stories/counter-histories of the hacker? How do representations of the hacker character in literature and popular culture contribute to hacker culture? Do hackers thrive on this image, or do they disregard it altogether?

This course will take on these questions and many more in an attempt to understand representations of the computer programming community. We will begin from the assumption that literature, culture, and stories matter just as much as the code that sits behind/underneath/inside your operating system. Representations of the hacker and the “computer geek” do important work in constructing images and categories. Our job will be to compile these stories. That is, we’ll compile narratives the way a computer program is “compiled” – we’ll decode and recode the narratives of the computer programmer.

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